I returned to Parang Tritis, Central Java, Indonesia in 1985. At the same beach where I captured “After The Catch”, I found this new image of a villager at work. I utilized the curve of the sand beach and the rim light in the water area to form the basic elements of the image. The decisive moment of the water splashing onto the cow further enhanced the visual impact. This image won a Bronze Medal at the 32nd CPA International Salon, Hong Kong, held in 1991.
The lighting was low but the light touched the villagers and the sand dune. This was my first impression of Parang Tritis, Central Java in 1980. The villagers were on the way home after their catch at the nearby seaside . The villagers are shy people always trying to avoid the camera. With my 250mm lens, I captured this image which I felt reflected the calm and cool ambience of the place. This slide won a medal of the Iris Aartrijke International Salon, Belgium, held in 1988.
Apologies for the lack of updates of late (since my editor/webmaster is away on reservist training!) …
When I look at the terrace fields of Bali, I wonder whether the farmers are trained architects. The fields are so well-constructed for planting paddy. The lines and pattern are so distinctive. They appear to be the creations of great artists. As a photographer, you only need to capture the image from the vantage point to achieve perfect technicality.
This original transparency was treated with a green diazo film to derive the green hue in the water area with bias relief effect. This was one of the Pewter Tray Award and the Ang Chwee Chai Trophy Award winner for the best local entry of the 32nd Singapore International Salon held in 1981. This slide was also awarded the Gold Medal of the Iris Aartrijke International Salon, Belgium in 1983.